Porträt der Frau Charpentier und ihre Kinder by Pierre-Auguste Renoir (1878)
Mismatched Room
by Kathleen Fellows
The dog scowls
at the lazy humans.
That improper
boy resembling a girl
with hair grown
past his shoulders and onto
dangerous
territory past his neck
where a proper
boy would never let it.
The dog is
agitated for his back
where the human
boy is perched, privileged.
The dog matches Madame
Carpenter’s dress,
colorfully
black, white, and too puffed.
She casually and
uncomfortably sits
as if she were
waiting on an interview.
She displays her
ambiguous children
with a neutral
expression and a hand,
closed and
adorned wit heavy gold
from an unknown
man, or maybe herself.
The dog hates
the carpet on which he lays.
Even without a
good sight for color,
he notices the
clash of the styles
he sees the
western and eastern Asian,
he senses the
modern and classical.
Nothing had been
placed with good intensions.
The dog wishes
the room would unclutter.
A table has been
shoved into the room
and piled with
vases and golden food
that screams the
woman’s class attention needs
and forces it
into a visitor.
If only he could
disassociate
himself with
that lifeless, rag of a dress
worn by that
woman who mixes styles
and parades her
boys around in blue frills.
For some reason the line "She displays her ambiguous children" caught my attention. I think I appreciate the juxtaposition of displays and ambiguity.
ReplyDeleteAlso, I really liked that you decided to write from the perspective of the dog. It was unexpected, making it far more fun to read.
Megan W