The Clutch by Ayla
Rogers
When they ask me
Why I write so many
poems,
I talk about the impermanence
of man.
It was soon after my
brother died,
A fine summer’s eve,
Streetlamps glowing.
A sat on a sooty curb
Outside a well-loved
venue,
But the doorman was as
deaf
As the ears of the
drummer inside,
And everyone just
standing there.
No one jumped or
shouted,
And not a heart beat
And the speakers blared
endless ballads
For departed singers.
I sat on a sooty curb
Wrought with stubborn
romanticism, bitter fugue
Of blue and yellow bottles
And channeled my love
Into the clutch of my
life’s manuscript,
The only vice that
would receive me.
BY LISEL
MUELLER
When I am asked
how I began writing
poems,
I talk about the indifference of
nature.
It was soon after my mother
died,
a brilliant June
day,
everything
blooming.
I sat on a gray stone
bench
in a lovingly planted
garden,
but the day lilies were as
deaf
as the ears of drunken
sleepers
and the roses curved
inward.
Nothing was black or
broken
and not a leaf
fell
and the sun blared endless
commercials
for summer
holidays.
I sat on a gray stone
bench
ringed with the ingenue
faces
of pink and white
impatiens
and placed my
grief
in the mouth of
language,
the only thing that would grieve with me.
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