Wednesday, May 8, 2013

Scribble by Chad Lahr (Imitation #4)

My father said: be a man of honor.
Children know nothing of honor, they live
every day waiting for the next moment.
Just wait for years to pass and you’ll learn.

The second hand ticks, and the minutes pass
us by. Bye: never to be seen again.
Yet again and again they are lost to
the past. Forever passed, changing, going.

Slowly turning around, you notice you
have changed. I’m better? Worse? I’m in between
this discontinuous evolution
of progression fighting off regression,
detoxification-retox battle.

I wrote years ago to a friend: I will
live for something more. “Moor - to make secure.”
How can a cloud be more if it’s secure?
The dark cloud inside condenses and rains,
Then let it pour, let it out, let it go.

GO. Leave. Get out. Don’t you just run away,
You’ll see, see-saws must go up and then down.
They have a rhythm much like you and I,
Eyes fueled by a blaze inside that we fan.
(Yet I am still a fan, and I won’t char.)

What I’ve drawn is not so clear, we scribble
On our canvas and pass it off as art.
The jobs, the grind, sore feet, and broken skin
Hoping someone out there, up there, buys it.
(Just for a reason to scribble again)

So let us pick up that pencil again
And think of what comes next, heaviest lead?
Pour out your secrets in your own language;
A cipher that centuries cannot b.r.e.a.k.

-------------------------------------------------------------

­­­­
Pencil
BY MARIANNE BORUCH

My drawing teacher said: Look, think, make a mark.
Look, I told myself.
And waited to be marked.

Clouds are white but they darken
with rain. Even a child blurs them back
to little woolies on a hillside, little
bundles without legs. Look, my teacher
would surely tell me, they’re nothing

like that. Like that: the lie. Like that: the poem.
She said: Respond to the heaviest part
of the figure first. Density is
form. That I keep hearing destiny

is not a mark of character. Like pilgrimage
once morphed to mirage in a noisy room, someone
so earnest at my ear. Then marriage slid.
Mir-aage, Mir-aage, I heard the famous poet let loose
awry into her microphone, triumphant.

The figure to be drawn —
not even half my age. She’s completely
emptied her face for this job of standing still an hour.
Look. Okay. But the little

dream in there, inside the think
that comes next. A pencil in my hand, its secret life
is charcoal, the wood already burnt,
a sacrifice.

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