Soft and silver around my
small finger
An oval center wraps a
green jewel tight
A ring passed from
generations before
Worth nothing but the
memories it holds
So many laughs and cries
and places gone
So many stories to tell
with each scratch
Where did this ring come
from whose hands made it
A little boy in china
maybe or
An old woman who was a slave
then jeweler
Many possibilities, no
answer
Who gave this ring to my
great-great Grandma
Was it a lover, friend,
maybe stolen
With each passing down
the story changes
Sometimes a lot sometimes
a little bit
Some say it was from a
man at war
Secret lovers both
married with children
But love found them when
they least expect it \
She wrote him every day
until he died
Some say it was a gift
from an old friend
They were like sisters
always together
Her most valued present
for her birthday
A poor friend who made it
all by herself
No value but
sentimentality
She worse it every day
until she died
Other stories say stole
it one day
Passing every day
dreaming it hers
After a bad day she knew
what to do
The small ring missing from
the store window
Which stories true this
we will never know
Just keeps passing a long
better each time
---------------------------------------------------------------------
BY ROBERT PINSKY
The back, the yoke,
the yardage. Lapped seams,
The nearly invisible
stitches along the collar
Turned in a sweatshop
by Koreans or Malaysians
Gossiping over tea and
noodles on their break
Or talking money or
politics while one fitted
This armpiece with its
overseam to the band
Of cuff I button at my
wrist. The presser, the cutter,
The wringer, the
mangle. The needle, the union,
The treadle, the
bobbin. The code. The infamous blaze
At the Triangle
Factory in nineteen-eleven.
One hundred and
forty-six died in the flames
On the ninth floor, no
hydrants, no fire escapes—
The witness in a
building across the street
Who watched how a
young man helped a girl to step
Up to the windowsill,
then held her out
Away from the masonry
wall and let her drop.
And then another. As
if he were helping them up
To enter a streetcar,
and not eternity.
A third before he
dropped her put her arms
Around his neck and
kissed him. Then he held
Her into space, and
dropped her. Almost at once
He stepped to the sill
himself, his jacket flared
And fluttered up from
his shirt as he came down,
Air filling up the
legs of his gray trousers—
Like Hart Crane’s
Bedlamite, “shrill shirt ballooning.”
Wonderful how the
pattern matches perfectly
Across the placket and
over the twin bar-tacked
Corners of both
pockets, like a strict rhyme
Or a major
chord. Prints, plaids, checks,
Houndstooth,
Tattersall, Madras. The clan tartans
Invented by
mill-owners inspired by the hoax of Ossian,
To control their
savage Scottish workers, tamed
By a fabricated heraldry:
MacGregor,
Bailey, MacMartin. The
kilt, devised for workers
To wear among the
dusty clattering looms.
Weavers, carders,
spinners. The loader,
The docker, the navvy.
The planter, the picker, the sorter
Sweating at her
machine in a litter of cotton
As slaves in calico
headrags sweated in fields:
George Herbert, your
descendant is a Black
Lady in South
Carolina, her name is Irma
And she inspected my
shirt. Its color and fit
And feel and its clean
smell have satisfied
Both her and me. We
have culled its cost and quality
Down to the buttons of
simulated bone,
The buttonholes, the
sizing, the facing, the characters
Printed in black on
neckband and tail. The shape,
The label, the labor,
the color, the shade. The shirt.
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